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Women make strong showing in Outer Critics Circle nominationsWell, it's here — the announcement you've all been anticipating. The Outer Critics Circle Award nominations have been announced! What? You you've never heard of the Outer Critics Circle Awards? Well, that puts you in stead with everyone else in the world that doesn't follow New York theater closely. These awards could really use a good PR campaign. Laurie Metcalf in November To clarify the confusion, these are the Golden Globes of the New York theater. Just as the Golden Globes are predictive of and broader (movies and television) than the Oscars, these are predictive of and broader (Broadway and Off-Broadway) than the Tony Awards. But they really need a catchier name. If the Golden Globes were called the Hollywood Foreign Press Association Awards, I don't think so many stars would show up and get publicly drunk at the ceremony. Given that I do follow New York theater somewhat closely, I care about the Outer Critics Circle Awards. And one good thing about this year's awards is how well women are represented in non-acting categories. Half of the nominees for Outstanding Director of a Play and Outstanding Choreographer are women. Half. Compare that to, say, the Academy Awards where there appears to be an unwritten rule against nominating women for Outstanding Achievement in Direction. And there are some amazing women nominated for the acting awards, though there are not, to the best of my knowledge, any lesbians nominated. (Cherry Jones, Cynthia Nixon and Sarah Paulson didn't do theater this year, and director Leigh Silverman was working too far off Broadway.) However, there is one nomination for a lesbian character! (I know, it's sad to get to excited about that, but I need to grasp on to something.) Let's take a quick look at some of the highlights, shall we? (And by highlights, I mean categories in which I know enough to have an opinion.) Outstanding New Broadway Play My Pick: August: Osage County
OK, I haven't seen any of the other nominees, but I'm sticking by this choice. (I never claimed I would be fair.) Although written by a man, Tracy Letts, this show is all about the women — the vicious, dying matriarch and daughters of a family who gather in a time of crisis to cope and brutalize each other. (I realize I'm not making it sound good, but it was brilliantly written and acted. Don't trust me. Read the review.) It was never predictable, never schmaltzy, and the characters were complex. Outstanding New Broadway Musical My Pick: A Catered Affair I didn't see A Catered Affair, but I don't want Young Frankenstein to win and Xanadu just doesn't deserve it. I think the only reasons to see Young Frankenstein are Sutton Foster and Megan Mullally — and neither of them was nominated for an award. Outstanding Revival of a Play My pick: Les Liasons Dangereuses Again, I haven't seen this, but it stars Laura Linney!
The theater world should be rewarded for bringing her to Broadway. And Laura Linney really needs to play a lesbian some day. She's one of the best actors out there, and I think she could make a believable dyke. Outstanding Revival of a Musical My Pick: Gypsy Again, the women, Patti LuPone and Laura Benanti, drive this production, although everyone is good. I've blogged about how great this production is, so I won't go on and on, but suffice to say, both women were mesmerizing. Left to right: Actors Boyd Gaines, Patti LuPone and Laura Benanti at the opening night of Gypsy I will, however, acknowledge that South Pacific is supposed to be excellent. But I haven't seen it, so Gypsy wins for me. Outstanding Director of a Play My Pick: Anna D. Shapiro – August: Osage County A woman directing women in the best play of the year — how much better could it get? (Well, I suppose there could be a lesbian in the production.) If she doesn't win, I want it to go to the other woman nominated, Maria Aitken for the 39 Steps. Which for me is tokenism because I didn't see the play and am picking her just because she's a woman. But I can live with that. Outstanding Actress in a Play My Pick: Deanna Dunagan – August: Osage County This is a tough one. Deanna Dunagan was amazing as the pill-popping matriarch, but she's up against Laura Linney and S. Epatha Merkerson. So I'm kind of rooting for a three-way tie. Dunagan (left) and Merkerson Outstanding Actress in a Musical My Pick: Patti LuPone – Gypsy I don't need to elaborate. I've gushed enough about her. But I do have a soft spot for Faith Prince. Outstanding Featured Actress in a Play My Pick: Laurie Metcalf – November Her character is the aforementioned lesbian. And I've heard she was really good, so this is our shot at some lesbian respresentation. Outstanding Featured Actress in a Musical My Pick: Laura Benanti – Gypsy Ask anyone who saw the show. Laura Benanti was spectacular. And she's very pretty — which may be shallow of me, but I can live with it. And she strips. She may get a run for her money, however, from Harriet Harris who steals every show in which she appears. I know I'm not the only theater geek out there. Take a look at the nominations and share your picks.
Submitted by on April 28, 2008 - 2:00pm. |
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Theatre awards season!
If the Outer Critics Circle awards are the Golden Globes, does that make the Drama Desk Awards like the SAG awards (except, again, broader)? Those were announced today, too, I believe. But I won't even pretend I know anything about any of the awards shows other than the Tonys.
Unfortunately, not living in or near New York, my exposure is limited, but I will give input on one category--Outstanding New Off-Broadway Musical. I really HOPE that goes to Next to Normal. It's really too bad that they don't have separate categories for outstanding acress in a musical on Broadway and off Broadway, because I think that Patti LuPone is incredible, but Alice Ripley deserves recognition for Next to Normal, too. I'm glad she was at least nominated (in both the Outer Critics Circle noms and in the Drama Desk noms).
Personally, above all else, I'm just thrilled that the Drama Desk Awards are going to be webcast live so I can watch them!
Hmmm ...
I can't comment on any of these nominations - as I have not seen anything nominated. Living in Southern California doesn't help much with my New York Theatre visitations.
However - I DID see Iphegenia 2.0 at the Signature Theatre Company in October. And it was phenomenal. So really, my comment is more geared toward the "Why the f*** wasn't Kate Mulgrew nominated?" Or Charles Mee for that matter? Or even Tina Landau! It wasn't so far off Broadway one couldn't find it with binoculars ...
Kate Mulgrew! KATE MULGREW! Phe.nom.e.nal.
I don't think very highly of this "Outer Critics Circle" at the moment. Especially since most of their nominations seem hand-picked from a generic Playbill, and pardon the phrase, all too obvious.
And bravo! for Leigh Silverman being off off off Broadway. She's done some good work, and has worked with some very good friends of mine.
Speak what we feel not what we ought to say...
Sarah Paulson...
Oh my god, I was going to
Oh my god, I was going to comment blatantly pimping The Homecoming, but then I looked at the list of Best Revival noms, both in musicals and plays, and was essentially gobsmacked. I CANNOT DECIDE. I didn't see Sheba, but the other three were SO brilliant. I mean, I think I still might be leaning towards The Homecoming, simply because of the sheer force that play hit me over the head with (I spent Act II literally clutching my hair in stress and couldn't speak coherently for about 20 minutes), but the others do put up some excellent competition.
As much as I loved Sunday, I think Gypsy is a hands-down for Best Musical Revival. With Sunday, there was a small part of me that still wanted Mandy and Bernadette on that stage, and with Gypsy, all I could think about or consider was Patti. That's the mark of a good revival, I think, a cast that makes you entirely conscious of only that production, in that moment, without any comparison to any other production you may have seen.
Was the actress who played the oldest sister in August: Osage nominated? Because she most certainly deserves something. She was incredible. I think she may have been my favorite piece of that show.
Up until the punching, it was a real nice party...
Up until the punching, it was a real nice party...
Forgot to mention that if
Forgot to mention that if Eve Best does not get at least nominated for the Tony, there'll be hell to pay from me. That woman... that show... my god. Words don't do it justice. She's a genius of the stage.
Up until the punching, it was a real nice party...
whee, awards chatter
I'll be shocked if Patti LuPone doesn't win for Outstanding Actress in a Musical, but I'm still pulling for Alice Ripley all the way. Her performance in Next to Normal was possibly the most amazing one I've ever seen, and that's after 20-some years of attending theatre, so I'm just thrilled she even got a nomination. I also doubt N2N will win for New Off-Broadway Musical because of all the noise Adding Machine has gotten from critics, but that show seriously deserves SOMETHING. (*ahem* Broadway in 2009/10?)
And wait, Leigh Silverman directed Beebo Brinker Chronicles, right? And Yellow Face, and Hunting and Gathering, and From Up Here (nominated for Outstanding New Off-Broadway Play)? How are those "too far off Broadway"? Though she did have a hell of a lot of competiton for Director of a Play from big Broadway names, that's true.
I'm excited to see Cynthia Nixon come back to theatre in 2009! She's brilliant. And I'd love for Sarah Paulson to do more shows too - wish I'd gotten a chance to see Crimes of the Heart.
Clearly I need more time/money to facilitate this dangerous theatre habit I've acquired. Yikes.
Her name is Patti and its spelled G.O.D.
I heart Laura Benanti SO MUCH. Have you seen her in Starved? I've only ever seen the three clips posted on YouTube (in two of them she happens to be making out with women!) Aside of that, omg the girl can SING.
Ah, her name is Patti and its spelled G.O.D. 'Nuf said.
Sheba is a great show and although I didn't see that production I'm still going to say Merkerson. She rocks no matter what she's in.
Laurie Metcalf is comedy gold and it would be nice to see her take home the award.
August of course is supposed to be entirely superb so hopefully it will take home several.
The only thing that makes me want to cry about all of these is the Oustanding New Broadway Musical category. I mean love Sutton and Megan as well but where oh where are the shows that I want to see so badly I'd sell my spleen?
Here's hoping 9 to 5 fills that void next year :oD