Last spring, scribegrrrl blogged about the 2008 inductees to the Hollywood Walk of Fame, and noted that Angela Bassett — owner of one of the best sets of biceps in Hollywood — was slated to be among them.

Well, yesterday was her big day.

Wearing a dress that lay bare her biceps, Angela Bassett tearfully acknowledged the honor.

"Who would have thought that a little girl in pigtails from St. Petersburg, Florida, would grow up to find herself gazing at a star with her name on it, on the Hollywood Walk of Fame? This day is so, so special to me."

Although it's hard to take the Hollywood Walk of Fame too seriously, especially given the ambiguous criteria for selection, I don't find it difficult to appreciate anything that makes Angela Bassett happy. Because the Yale grad is brilliant, and very lovely. And it makes me happy to take any excuse to look at pictures of Angela Bassett. … continue reading

Sometimes a website comes along that reminds me what the internet is for. That happened this week when a friend sent me a link to Sleeveface.com. The site defines Sleeveface as "one or more persons obscuring or augmenting any part of their body or bodies with record sleeve(s), causing an illusion."

They should have said "causing an illusion and awesomeness." Because it's so, so good. Here are some of my favorites so far (there are still so many I haven't seen!):

Janis Joplin, by MathiasSchweppes

Peaches, by sophiekingo

Tina Turner (Private Dancer), by See Gee

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It seems Aretha Franklin, often called the Queen of Soul, is not pleased that Beyoncé called Tina Turner the "queen"on the Grammy Awards broadcast.

"I am not sure of whose toes I may have stepped on or whose ego I may have bruised between the Grammy writers and Beyoncé," Franklin said in a statement issued by her publicist. "However, I dismissed it as a cheap shot for controversy."

Franklin apparently ended the statement with "love to Beyoncé anyway."

Sheesh, Aretha. It was an intro, not a review. And Beyoncé is a huge fan of Tina, so she was bound to praise her.

Plus, Beyoncé didn't refer to Tina as the Queen of Soul, specifically. She just said, "give it up for the queen."

And I'm happy to give it up, whatever it is, because I thought Tina's performance was incredible. She can still hit those high notes and do the moves — at 68 years old! Wow. … continue reading

So, if you watched last night’s telecast of the 50th Grammy Awards, you probably have some questions. Questions like, who is that guy, and why did he steal Amy Winehouse’s Grammy for Best Album of the Year? Or how is it that the Beatles won only four Grammys when they were together, while Fergie already has three? Or did Amy really thank her husband as “my Blake incarcerated” in her acceptance speech? Yes, yes she did. So without further ado, here are some of your most burning (though hopefully not itching) Grammy questions revealed.

Q: How it is it that the most electrifying performer in the room wasn’t even in the room?

A: Visa problems kept The Winehouse 5,500 miles away in London, but she still electrified via satellite with a performance that was equal parts raw, campy, sassy and defiant. Plus, she brought the one thing the somewhat stodgy awards affair sorely lacked — the air of unpredictability. God bless you, Amy Winehouse. Now get back to rehab and get better. … continue reading

Tonight (or whenever your local affiliate decides to air it), African-American Lives 2 premieres on PBS. The series "traces the ancestry of famous black people as far back as the written record allows, and then a little farther, thanks to the scientific magic of DNA analysis." This is a sequel; the first series was in 2006. Both were directed by Henry Louis Gates Jr.

The lives that are examined include those of Tina Turner, Maya Angelou and Jackie Joyner-Kersee.

African-American Lives 2 considers how identity evolves and how the past informs the present. As Robert Lloyd of the Los Angeles Times notes in his review,

... the underlying narrative is one of accomplishment and how a people whose identity had been purposely stripped from them managed to create new identities for themselves, looking both to the future and a mythic past. ("Nobody wants their history to begin here," says Gomes of the search for African roots.) And Gates is less interested in the lingering negative socio-economic effects of slavery than in the way that even successful slave-descended African Americans carry that fact inside them.

Visit the official website for more, including fascinating historical timelines.

Not many of us even have idols anymore. And for those of us who do still respect our elders and their accomplishments and try to emulate all that is positive about our idols, we don't always get to meet them. And even if we do meet them, we don't usually get to honor them in any public way. And even if we do get to honor them in a public way, they don't come out of retirement to express their appreciation of our worship. So that's why the announcement that Beyoncé Knowles and Tina Turner will duet at the upcoming Grammy Awards presentation made me one "Proud Mary." Well, my name is not Mary, but I am proud. OK, not proud, but excited!

Beyoncé has made it clear that she grew up adoring Tina Turner. Here's her 2005 Kennedy Center tribute performance (please, feel free to ignore all political figures seated next to Tina): … continue reading

Last week, some boys at The Onion's A.V. Club compiled a list of “23 Songs That Should Never Be Covered Again.” I thought it would be a fun list, but I found it kind of boring because it was full of songs that have been covered well (“All Along the Watchtower,” “Respect,” “I Heard It Through the Grapevine”) and songs I've never heard covered (“99 Luftballons,” “Come On Eileen”). So I quickly found that I did not care. However, it did get me thinking, and I eventually came up with a list of my own: covers I like even more than the originals.

5. “I Think We're Alone Now,” Tiffany (original — Tommy James and the Shondells)

Don't hate me because I like this song. I love the Tommy James version of the song, and I was never a Tiffany fan. But there's something about her cover (mall performances and all) that is very memorable and — dare I say? — good. My affinity may be influenced by my early college memories surrounding the song, but there's something about her perky, raspy voice that just works. … continue reading

When it comes to videos, I'm old. I remember the premiere of Friday Night Videos, and even before that (and even before MTV), I watched something called FM-TV (later Teletunes) on a local public access channel. It was such a thrill to stay up late and enter that strange new world. My sister even figured out how to hook up our clunky TV to the stereo so we could enjoy bizarre bands like Les Rita Mitsouko in high fidelity.

And just as the age of music video was dawning, so was my baby dykedom. Here are some '80s videos that helped me explore my newfound appreciation for the fairer sex. (Note to the PMRC types: I'm not really saying these videos made me gay; just that these women are totally worth going gay for, if that were possible.)

1. The Eurythmics, "Sweet Dreams (Are Made of This)" (1983) … continue reading

I just came across this photo of Tina Turner and Janis Joplin performing at Madison Square Garden in 1969. It's Tina. And Janis. Together!

The photo is by Amalie R. Rothschild and is currently part of the Music and Fashion 1965–1975 exhibit at the Staley-Wise Gallery. Rothschild has taken some stunning shots of rock stars, many of which are included in her book Live at the Fillmore East: A Photographic Memoir.

I really can't fathom the idea of Janis and Tina on a stage together. Who needs caffeine (or whatever the crowd was on) with that kind of raw genius nearby? The idea of two talents and a microphone made me imagine some other rock duos (or folk duos or whatever-else duos) I'd like to see. Here are a few ideas. They may not really make much sense, but that's why I'm calling them fantasy duos.

Stevie Nicks and Amy Winehouse
"Rhiannon" meets "Rehab" — how great would that be? But Stevie might have flashbacks when confronted by Winehouse's in-your-face hedonism. She would make her cry, make her break down!

… continue reading